Abdullah, the pleasant septuagenarian protagonist of Hussain M. Naqvi’s modern-day novel the selected Works of Abdullah the Cossack, is probably a ‘Cossack’ (having effectively imbibed his manner to earning that call), but Naqvi himself is not anything brief of a veritable Vaslav Nijinsky when it comes to negotiating the balletics of Pakistani Anglophone writing. Erudite yet interesting, the Cossack’s story, in spite of his actually heavyweight frame and metaphorically heavyweight influence, gracefully pirouettes its way via the landscape of each Abdullah’s witty mind as well as the geographical terrain of Karachi in preferred, and lawn East in particular.


Buttressed through over a hundred and eighty footnotes which might be in themselves interesting enough to merit the rate of the e-book, the radical centres at the latter years of the protagonist’s existence, even though he dwells plentifully on his adolescence and teens via a sequence of digressions that simultaneously permit one to piece collectively a mosaic of Karachi’s records from the Nineteen Forties via to the cutting-edge.

the second one of 5 sons of a rich inn owner, Abdullah grew up in a “custard-yellow” residence in lawn East illuminatingly termed the sunset resort, to which he remains deeply attached in his antique age. He occupies a part of it whilst his dull more youthful brother Rahimullah, aka Babu, lives at the mezzanine along with his spouse and adorably adorable dual sons, Guddu and Toto. The plot follows the Cossack’s brothers’ attempts to get him to conform to promote the family home, however Abdullah stubbornly and nostalgically clings to the resort, the title deed of which became secretly exceeded on to him by his father as the patriarch lay dying. Fun facts approximately old garden East emerge now and again at some stage in the tale, together with the point that, at one time, the region housed a synagogue (“Yahudi Masjid”!); indeed, Naqvi’s unyielding grasp of Shia, Goan and Jewish influences on the city is commendable.

With a protagonist not possible not to love and enjoyably ranging throughout elements of Karachi’s art, culture, landscape and ethnic range, H.M. Naqvi’s modern will possibly have a totally long shelf-lifestyles

the radical includes a plethora of fascinating characters, including a young Christian boy called Bosco who must be squirreled away with the Cossack for instead dramatic and sinister motives, and a sensual unfastened spirit known as Jugnu who is fleeing her former lover — the formidable Lyari mobster Langra Sardar. The protagonist’s brothers are a absolutely motley team comprising a communist, a playboy-grew to become-farmer and a couple of chauvinistic alpha adult males who're as special from the Cossack as chalk from cheese. Abdullah falls madly in love with Jugnu while she prevents a crowd from roughing him up, and each she and Bosco carry out the smooth facet of this well-examine and right-humoured son of Karachi.

obese to the point of weight problems and plagued via diabetes, Abdullah makes no apologies for having lived — and continuing to stay — lifestyles to the fullest. A passionate philologist, his love for books is rivalled most effective with the aid of his love for food. The unconventional is advised totally in the first man or woman and is peppered with bawdy and undeniably earthy jokes; Naqvi pulls no punches and spares no orifices with regards to this literary flow, even resorting to a dirty but humorous classical Latin poem in a single footnote for you to have the reader in stitches if he or she bothers to appearance up the which means of it.

now and again the digressions appear unusually long, including whilst the Cossack chefs karrahi hen for Jugnu and is going on for over a web page about Orange Pulao, but such passages simplest add to the allure of the e-book. Naqvi gives both a family tree of the main characters in addition to a useful thesaurus on the returned (for the ones not acquainted with Urdu vernacular), however his English demonstrates a deeply ingrained familiarity with the rhythms and idioms of the language, which permits the e book to be appreciated on multiple ranges. It helps, even though, if one is as nicely-examine as the writer, however such readers will truely be within the minority.

One footnote, as an instance, incorporates an implicit connection with Percy Bysshe Shelley’s ‘Ozymandias’, however Naqvi absolutely embeds a quote from that sonnet within his writing, leaving it to the perceptive reader to parent the supply. One must confess that the writer is a chunk of a trickster, however then the first-class writers of comedy commonly are. However, perusing the e-book with the useful resource of each caffeine and useful net might be properly really worth the reader’s time, if for no different reason than because it affords one with a multi-dimensional and accurate view of elements of Karachi’s art, culture, panorama and ethnic diversity (which isn't any mean feat).

Abdullah the Cossack is a person whom it's far impossible no longer to love. Externally gruff and clumsy yet a mild and actual romantic at coronary heart, irreverent although well knowledgeable about faith, essentially moral yet not beyond fidgeting with the regulation whilst it suits him, his adventures maintain the fast pace of the e-book which, in spite of the handfuls of footnotes, never flags for an instant. At times i was reminded of myth writer Jonathan Stroud’s inimitable djinn Bartimaeus, whose narrative and digressions resonate with the same panache as the ones of Abdullah. Regardless of whether or not the Cossack is in the back of the wheel of an stylish, historic Impala, wolfing down sandwiches at a funeral, ponderously chasing Jugnu, or liaising determinedly with some of Lyari’s deadliest thugs, he comes throughout as a man whose correct heart and genial spirit help him deal with the trickiest of situations with consummate skill.

it would be maudlin to mention that Naqvi seems to love Karachi as lots as we come to be loving the Cossack, but one have to point out that, because of that undercurrent of ardour, there's by no means a second of indifference in this novel, either on the part of the protagonist or the writer. Virtually each web page is imbued with Naqvi’s trademark wit, and the nearly childlike marvel that makes the septuagenarian Abdullah so memorable and believable a person. The writer demonstrates an admirable eye for element and manages to capture the essence of mausoleums, shrines, dhaabas, police stations, deserts, buildings and roads with breathtaking authenticity. Similarly to this, his sense of comic timing is nothing short of impeccable. To intentionally however aptly misquote Alfred Tennyson’s ‘The fee of the mild Brigade’: Cossacks, Russians, and Pakistanis alike “[reel] from the sabre stroke[s]” of Naqvi’s rapier wit!

Being an educational, I generally hesitate to expect if a e book will acquire canonical status and resist the test of time in terms of carving its area of interest inside literature, but it appears as if this oddly spell binding account of Abdullah the Cossack’s adventures can have a miles longer shelf-existence than each its creator as well as its reviewers. Even as touring the shrine of his namesake in Clifton, Abdullah refrains from having parrots inform his fortune on account that he prosaically believes that what is fated will come to skip. However, this well-written and carefully exciting novel begs the abovementioned prediction, no matter what fate absolutely has in keep for it.

The reviewer is assistant professor of social sciences and liberal arts at the Institute of business management, Karachi

the selected Works of
Abdullah the Cossack
Via H.M. Naqvi
Fourth estate, India
ISBN: 978-9353025953

posted in sunrise, Books & Authors, March 17th, 2019